Lenses by type
Sony Sonnar T* SEL 55mm f/1.8 ZA Sony FE mount
- For full frame E-mount cameras
- Bright maximum aperture f/1.8
- Extremely quiet and ultra fast Linear AF motor
- Ideal for portraits
- Dust and splash resistant
Sony Sonnar T* SEL 55mm f/1.8 ZA Sony FE mount
AstrHori
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Canon RF
Sofort lieferbar.
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Fujifilm X Mount
Sofort lieferbar.
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L-Mount
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
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Nikon Z
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
Voigtländer Nokton 50mm f/1.0 aspherical
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Sony FE-Mount
Sofort lieferbar.
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Canon RF
Sofort lieferbar.
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Leica M
Sofort lieferbar.
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Nikon Z
Ware ist bestellt. Lieferzeit 1-3 Monate.
Sony SEL 24-70mm f/2.8 GM Sony FE mount
- high quality G Master telephoto lens
- extreme resolution
- Aperture F2.8
- fast, precise focus
- total control
- dust and splash resistant construction
- Direct Drive SSM for quiet, high-precision focus operation
- circular aperture with 9 blades for beautiful bokeh
- Sony nano-coating reduces ghosting and light effects
Sony SEL 24-70mm f/2.8 GM Sony FE mount
Free live consultation
Your individual consultation - from the comfort of your sofa
- Fast Standard Zoom Lens
- Travel, nature & landscape, sports & action, animals, people & portrait, events
- Zoom lock switch
- Lens hood with lock
- Dust and splash proof mount
- Reflection and ghost minimizing design
- 11-lamella round aperture opening
- high-precision and robust brass bayonet
Sigma AF 24-70mm f/2.8 DG ART DN
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Travel Zoom Lens
- from a speed of f/2.8
- ideal for everyday and travel
- uncompromising image quality
- outstanding close-up capabilities
- quiet fast hybrid autofocus
- Eye detection AF
- direct manual focus
- integrated lens correction (vignetting, color fringing, distortion)
Sony SEL 20-70mm f/4.0 G
- Sony SEL 20-70mm f/4 G Lens by Sony
- Premium G-series full frame standard zoom lens from Sony
- suitable for Sony full frame mirrorless cameras
- Standard zoom lens from Sony
- constant maximum F4 aperture throughout zoom range
- Focus breathing compensation compatible
- fast and precise autofocus
- particularly soft background blur (bokeh)
- ideal for content creation, photo and video shooting
- dust and water resistant design
Sony
Sony SEL 50mm f/1.4 GM Sony FE mount
- Sony SEL 50mm f/1.4 GM
- G Master Standard Lens
- for full-frame and APS-C E-mount cameras
- high speed: F1.4
- specially designed for full-frame photos and videos
- two XD Linear motors - ideal for photo and video shooting
- optimized image quality
- circular aperture with 11 blades achieves beautiful bokeh
- Dust- and moisture-proof
- Mount: Sony FE mount
Sony SEL 70-200mm f/4.0 OSS G II
- Sony SEL 70-200mm f/4.0 OSS G II
- Full Frame Lens
- Internal Focusing
- lightning fast focus tracking
- fast and precise autofocus for stills and 4K video
- Close focus 26cm (70mm) - 42cm (200mm)
- perfect for nature shots, portraits and more
- impressive macro capabilities
- stunning, clear close-ups
- lightweight, rugged and dust-resistant
- Teleconverter compatible (optional)
Bundles with Sony SEL 70-200mm f/4.0 OSS G II
Sony SEL 70-200mm f/4.0 OSS G II + teleconverter 2.0x
Sony SEL 70-200mm f/4.0 OSS G II + Teleconverter 1.4x
Sony SEL 70-200mm f/4.0 OSS G II + Sigma AF 24-70mm f/2.8 DG ART DN
- Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD
- 16.6x all-in-one zoom lens
- very fast and precise VXD autofocus
- outstanding VC image stabilization
- shortest focusing distance of 0.15 m
- Magnification of 1:2 at 18 mm setting
- compact design and easy to use
- weatherproof construction, fluorine coating, zoom lock
Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD
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Fujifilm X
Sofort lieferbar.
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Sony E-Mount
Sofort lieferbar.
Olympus M.Zuiko AF 300mm f/4.0 IS ED Pro Micro Four Thirds
- Most compact and lightweight telephoto lens
- powerful 6 EV step image stabilization system
- with a distance of only 1.4 meters to the subject, short shooting distance for this lens category
- Autofocus speeds of less than 300 milliseconds
- excellent IS synchronization with the OM-D camera's 5-axis image stabilization system
- Dust and splash-proof as well as freeze-proof
Olympus M.Zuiko AF 300mm f/4.0 IS ED Pro Micro Four Thirds
- Canon RF 16mm f/2.8 STM
- extremely flat and compact
- Ultra-wide angle with 108° angle of view to capture all details
- high speed of 1:2.8
- outstanding closest focusing distance of 0.13m
- convincing image quality
- smooth and quiet STM autofocus motor - also ideal for video recording
- a wonderfully small and lightweight Lens with a weight of only 165g, which you can always have with you
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.deMeaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang
Der Artikel ist vor Ort in unserem Hauslager nicht vorrätig und wird nach erteiltem Kundenauftrag am Außenlager/beim Hersteller bzw. Disributor bestellt. Die zu erwartende Lieferzeit beträgt 4-6 Werktage.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
This item is ordered exclusively for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Currently not available
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
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Order now, pay later (prepayment)Notification when the product is back in stockProduct reservation and fixed place on the waiting listCancellable at any time free of charge (until delivery)Often a decision for life - the choice of the right lens
Photography is always a question of focus. Clearly, it is the lens that changes the focus and makes all the difference. And it's always a question of skill, of personal preferences and strengths. Of course, the question of which lens the photographer chooses is also due to the available camera systems - whether he prefers to work with system cameras (CSC) or with single-lens reflex cameras (SLR). Fixed focal lengths have no zoom, here the eye of the photographer is needed, because he must know which situation requires which settings. For this reason they have a particularly good imaging performance with very low distortion, which results in their superiority over other lenses. Fixed focal lengths are suitable for a whole range of subjects, from landscape photos to portraits. All lenses from Lensbaby, for example, are manually adjustable. In the field of fixed focal length lenses there are new high-performance classics, optimized for digital technology, for example from Leica or the lenses from Meyer-Optik-G?rlitz, which have been revived according to original plans and adapted to digital technology. Zoom- and Megazoom lenses are high-performance lenses with a particularly wide focal length range with fast, virtually noiseless autofocus suitable for wide-angle or telephoto tasks. Here Nikon surprises with the world's first ultra-wide-angle lens with image stabilizer, which ensures strong images even in low light. Horizons that bend, and pillars that tip forward for no reason ? every photographer knows these difficulties. To photograph distortion-free is a special challenge with landscapes as with architecture Wide-angle lenses are among the fixed focal length, macro, zoom or fisheye, among them a particularly strong distortion-free lens of Canon. While the zooms and megazooms also cover the telephoto range, pure Telephoto lenses are suitable both as fixed focal lengths and as zooms - especially for wildlife and nature photography. At the top end of the range, lenses from Hasselblad and Leica are worthy of any digital post-processing due to their outstanding quality. Olympus currently has developed the lightest and most compact telephoto (Micro FourThirds mount) lens, while Sigma is the world's first lens with a maximum aperture of 2.8 at a focal length of 500 millimeters. Close to the subject ? small becomes huge ? that is the specific feature of the Macros and its versatile field of use. For this special small world, most lens manufacturers carry lenses, like Canon, Nikon, Sony, Leica or Pentax as well as Tamron, Sigma or Samyang. Fish-eye lenses are being covered by D?rr, Samyang, Pentax, Panasonic, Olympus, Nikon, Sony or Walimex. With fisheye photography, creative results can be achieved and surprising effects can be produced, such as mountains that bend and walls that bow outwards. Tilt-and-shift lenses, these are made by Canon, Nikon, Laowa, Leica, Samyang or Walimex, for example, and help the photographer to correct the perspective of the image, i.e. to compensate for particular distortions, such as falling lines in architecture. "Tilt" means pivoting (of the lens system in relation to the image plane). "Shift", on the other hand, means shifting (for example, the focus area can be shifted while maintaining the same exposure time).